The following is an account written by Gregg Gerson of his first meeting with Steve & how they both went on to work with Billy Idol. It is a very interesting recollection & is used with Gregg's very kind permission.
Thank you Gregg!
That night, after hearing each other play, we became life-long friends! And soon after this photo was taken, Steve & I spent the next 3 years on stage together... with Billy Idol
The first time we both saw each other play, we knew we were destined to play together. That was on Wednesday, April 22, 1981I first saw Steve while I was setting up my drums at this club uptown. Privates was definitely the place to play! It was one of the bigger clubs in town for live music and had great sound. It was on the upper eastside of Manhattan and was owned by Leber & Krebs, who at that time was one of the biggest music Management Companies. On their management roster were artists like Aerosmith, AC/DC, Ted Nugent, Scorpions, Michael Bolton, and plenty more.
Getting back to our first encounter... I was playing with this band called "The Doug Rock Show" which had this amazing line up of players (Carlos Alomar, guitar player for David Bowie; John McCurry, who played guitar with Julian Lennon & Cyndi Lauper; and myself). I had just finished setting up the kit and was standing next to Carlos when all of a sudden we heard this incredible guitar coming from the stage. Steve had started sound checking with his band, "The Fine Malibu's". Now the Malibu's were a good band, but Steve was mind blowing to hear. After their first tune sound checking, Alomar looked over at me and said, "I quit" with a big smile on his face. I said, "Oh man, who is this guy?" I continued to watch this sound check to the very end. At the end, I walked over to Steve and said, "Hi, my name is Gregg Gerson, you sound great!" Steve looked at me with this almost childish grin and said, "Gee Thanks" and put out his hand to shake mine. With that first meeting, I knew we were going to become friends.
Then it was time for us (The Doug Rock Show) to do our sound check. Well, I was pretty jazzed about the sound we were getting on stage. It just sounded great! I don't want to forget to mention that Night Bob Czaykowski (veteran sound engineer and road warrior) was doing sound that particular night... and was responsible for that great sound we were all getting! Both he and I are still good friends to this day. He is one of the best in the business! He had just finished touring with Aerosmith, and was doing freelance live sound around town. Because Bob did sound for Aerosmith, and Leber & Krebs being their managers and owners of the club, that was the connection for him doing sound that night.
After our sound check, Steve walked right over
to me with that same grin on his face and said, "YOU sound great!
Can I have your number?" I just looked at him, smiled right back
and said something like, "You betcha". We all went on to have
a great night.
Both he and I stayed in touch from that point on. Then I got the call
from Steve about the Billy Idol gig. You can read all about that
in the Idol
interview on my website. To make a long story short, we did Idol
for over two years together. Once I stopped playing with Idol, he and I
lost touch with each other for about four years.
In 1988 I started doing gigs around town with this band called Skin
& Bones. They (Skin & Bones) were originally based
out of Baltimore but had moved up to New York City six months prior to
me meeting them. I started doing gigs with them around town and it was a
really good band with good songs. And most importantly, I was having
fun. The Bones signed a small record deal and as a result, we ended up
going to England to record an album with Andy Taylor from Duran
Duran producing it. We (Skin & Bones) were playing one
night at the Cat Club, which was also a great club to play in NY
in the late '80's, and Steve's girlfriend Marlene was there.
After the
gig, she walked over to me to say hello and was telling me how great it
was. It was great seeing her. We started talking and she began telling
me about Steve's new project and of course I was very curious. Then
other people started talking about this same new project of Steve's...
with Hanoi Rocks lead vocalist Michael Monroe. This was in
early '89.
Later that summer I got a call from Steve asking me if I
wanted to get together and talk about shooting a video in LA with his
new band, "The Atomic Playboys".
I remember hanging the
phone up so psyched about the prospects of playing on stage again with
one of rocks greatest contemporary guitarists of our time! I met Steve
over a cup of coffee and we spoke about the new band.
As it turned out,
Steve and Michael had finally come to realize that they had different
ideas musically and decided to part ways. After that, Steve spent six
months looking for a lead vocalist for the Playboys and ended up using
singer/vocalist Perry McCarty of the band Warrior, which
was an LA based band. He had already recorded the record using
assorted players.
I flew out to LA and we shot the video for the title
track, "Atomic Playboys".
Then it was time to start touring to support the new record.
The lineup
Steve ended up using for the touring band was Bruce Turgon on
bass (Lou Gramm, Foreigner); Phil Ashley on
keyboards (Mick Jagger, Cher); Perry McCarty
on vocals and myself, Gregg Gerson on drums.
It was an amazing
band, although Steve wasn't really happy with Perry and neither were the
critics.
We did a thirty-city tour of the US and were preparing to start
touring Japan when Steve called me. He told me he was disbanding the
group. I told him I understood and that was it.
Steve's living in LA
these days with his wife Marlene and is as creative as ever.
I'm still
happily based out of NY. I can honestly say that Steve and I are better
friends today than we've ever been. I'm sure we'll end up playing
together again sometime in the not too distant future. The most
important thing of all, as far as I'm concerned, is... we're still
friends after all these years.
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